位于墨尔本的Fiona Lynch设计工作室重新设计了TarraWarra艺术博物馆的门厅和零售空间。作为空间插入,内部是围绕博物馆的重要建筑语言和意图雕刻的;定义广阔的多用途大堂空间,同时将零售体验定位为精心策划的艺术和物品展示。
Melbourne-based design studio of Fiona Lynch has reimagined the gallery foyer at the TarraWarra Museum of Art. Conceived as a spatial insertion, the interior is sculpted around the significant architectural language and intent of the museum; defining the expansive multi-use lobby space, while positioning the retail experience as a thoughtfully curated showcase of art and objects. TarraWarra艺术博物馆馆长Victoria Lynn解释了她对Fiona Lynch的理解“旨在创造一个能体现博物馆价值观的空间:优秀,意想不到,体验式,互联性,协作性和可持续发展”。
TarraWarra Museum of Art Director Victoria Lynn explains her brief to Fiona Lynch “was to create a space that addressed the values of the Museum: excellent, unexpected, experiential, connected, collaborative and sustainable”.
脆弱的弯曲形式引入了现代干预,精美的折叠钢架,纺锤形桌子和珠宝盒呈现出一种信念感。戏剧性的灯光将人们的注意力吸引到通过楼层平面实现的关键建筑时刻。
Fragile curved forms introduce a contemporary intervention, with fine folded steel shelving, spindled tables and jewellery cases presented with a sense of conviction. Dramatic lighting draws focus to key architectural moments enabled by the floor plan. 当地工匠的定制作品跨越了艺术和设计之间的界限,是大堂概念的关键。Daniel Barbera,Makiko Ryujin和Josh Carmody为这些桌子定制了一些部件,例如手工打磨的金属货架,碳化木展示架和用于桌子的轻松,类似生物的腿部系统。
Bespoke pieces by local artisans who straddle the line between art and design were key to the lobby concept. Daniel Barbera, Makiko Ryujin and Josh Carmody produced bespoke components such as the hand-linished metal shelving, charred timber displays and jaunty, creature-like leg system for the tables.
“与当地设计师合作创作这些定制作品,创造了一种与艺术和场所相融合的氛围,并为浏览艺术书籍和澳大利亚制作的艺术品和珠宝提供了一个轻松的环境,”林恩说。
‘Collaborating with local designers to create these bespoke pieces has created an atmosphere that engages