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RYÙPeel位于加拿大蒙特利尔市中心，是日本寿司连锁店RYÙ的第五家分店。在对现有建筑进行拆除后，露出了原始墙壁覆盖着积累的石膏，油漆和墙纸。锈迹和磨损的迹象形成了丰富的拼贴画，激发了MRDK在设计方向上采用日本的Wabi -Sabi概念。 Another hospitality hit for Ménard Dworkind (MRDK), the fifth outpost of RYU Peel sushi restaurant has opened in downtown Montreal. Post demolition of the existing building, original walls covered in an accumulated patchwork of plaster, paint and wallpaper were revealed. The patinas and signs of wear and tear form a rich collage that inspired MRDK to embrace the Japanese concept of Wabi-Sabi for the design direction. 保留现有的墙壁是至关重要的，选择最小的方法和调色板来对比和增强它们。由相互连接的木质板条制成的浮动结构悬挂在天花板上，让人想起传统的日本木制品，并遮盖上面的机械管道。团队设计了一个综合的建筑照明策略，以突出这一特色的温暖和图案，并在餐厅末端安装了大镜子。 Preserving the existing walls was paramount, with a minimal approach and palette chosen to contrast and enhance them. A floating structure made from interconnected timber battens is suspended from the ceiling, recalling traditional Japanese woodwork and also masking the mechanical ducts above. An integrated architectural lighting strategy was developed in order to bring out the warmth and pattern of this prominent feature, further aided by large mirrors installed at the end of the dining room. 
酒吧贯穿了这个深深的线性空间的中心，并完全由Polaris覆盖。这种合成哑光黑色材料有着天鹅绒般的光泽，给人一种未来感。一盏灯由370块激光切割的铝片组成，这些铝片之间间隔着黄铜袖，在酒吧上方伸展开来。在这后面，一个巨大的黄铜吧台贯穿整个餐厅的长度。一根9米长的斜角铁固定在结构柱上，支撑着100多瓶清酒和日本威士忌。 The bar runs through the centre of the deep, linear space, covered entirely in Polaris. The synthetic matte black material has a velvety sheen that lends a futuristic appeal. A light comprised of 370 pieces of laser-cut aluminium spaced with brass sleeves stretches above the bar. Behind this, a monolithic brass back bar runs the length of the restaurant. A 9m piece of angled iron is affixed to structural columns, supporting over 100 bottles of sake and Japanese whisky. 
在吧台对面，三张桌子和长椅似乎漂浮在水面上，由钢型材悬挑而成，直接悬在一个低矮的混凝土窗台上。皮革和木材围绕钢框架包裹，形成座椅和靠背。在主要的中性色调中，绿色的暗示通过皮革宴会座椅和内置混凝土花盆中的植物出现。浇筑的混凝土地板有助于营造整体的工业美感，除了临街窗户旁的一段抬高的黑色木材花架。 Opposite the bar, three tables and benches appear to float, cantilevered by steel profiles directly into a low concrete ledge. Leather and timber wrap around the steel framework to form seats and backrests. Among predominant neutral tones, hints of green appear by way of leather banquet seats and plan |
